– Welcome to Live — Ableton Reference Manual Version 11 | Ableton
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Included with a number of apps and hardware products, Live 10 Lite is a lightweight version of Ableton Live Live Mail Recovery is the most sophisticated email recovery tool for new and experienced computer users.
Mixed In Key is a DJ software tool for harmonic mixing. The program analyzes your files Stay in the flow with a multitude of workflow improvements. The core Griid clip launcher module is the most fluid and reliable clip grid controller for Ableton Live. Using specialised Liquid Notes for Live is a program that allows you to become a pro with chords, melodies, and harmonic movement. Max for Live DVS guitar is a plug-in developed by Dream Vortex studio. It is used with Windows PC sequencing software used LiveLife is a simple application that adds one important missing piece of functionality to Ableton Live Kickstart is a program that enables you to get the signature sidechain effect in your own tracks.
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Max for Live | Ableton
The download version of Ableton Suite includes Live 7, Sampler, Operator, Electric, Analog, Tension and Drum Machines. The boxed version of Ableton Suite. Live Sets, Racks, presets, Max for Live devices, and anything else you can download and use in Ableton Live. To download your free trial of Ableton Live visit.
– What’s new in Live 11 | Ableton
Nondestructive editing with unlimited undo. Powerful MIDI sequencing of software and hardware instruments. Advanced warping and real-time time-stretching. Group tracks Use multiple levels of groups to mix with greater flexibility and manage detailed arrangements more easily. Comping New in Live 11 Record multiple takes of a performance, then combine the best ones. Linked-track editing New in Live 11 Link two or more tracks to edit their content simultaneously.
Multiple automation lanes. MIDI Polyphonic Expression New in Live 11 Add bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily. Tempo Following New in Live 11 Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow.
Note Chance New in Live 11 Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time. Velocity Chance New in Live 11 Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.
Automatic plug-in delay compensation. MIDI remote control instant mapping. MIDI output to hardware synths. Ableton Link A technology that keeps instances of Live and a growing collection of iOS apps in time over a wireless network. Instrument Racks Updated for Live 11 Combine multiple instruments and effects into a single device, allowing for split and layered sounds with customized Macro controls.
Scenes Updated for Live Audio inputs Mono audio input channels. Audio outputs Mono audio output channels. Complex warp modes Advanced algorithms for stretching audio, ideal for working with mixed audio or full tracks. Audio-slicing Slice audio to a Drum Rack or Sampler instance.
Max for Live Powers a range of instruments and devices in Live Suite, and lets you customize or build your own devices, change the way Live works, and connect Live with the world around it. POW-r dithering Mastering quality dithering modes for downsampling audio.
Play Analog Emulates the unique character of vintage analog synthesizers. Play Collision Updated for Live 11 Physical modeling instrument for authentic mallet percussion sounds and creative percussion. Play Electric Updated for Live 11 The sounds of classic electric pianos. Play Operator A versatile synthesizer combining frequency modulation and subtractive synthesis. Play Tension Updated for Live 11 Physical modeling string synthesizer. Play Chop and Swing Updated for Live 11 A homage to the style that made sampling an art form and put a new kind of groove on the musical map.
Play Drum Essentials Drum Essentials is a collection of handpicked sounds selected to cover a wide range of styles. Play Grand Piano Updated for Live 11 Multiple articulations, sampled from a carefully prepared and programmed piano to capture the virtuosity of the classical grand piano sounds. Play Guitars and Bass A set of electric guitars and basses, expertly multisampled to cover different playing styles, velocities and articulations – from funky slap bass to gently strummed guitar chords.
Play Skitter and Step Updated for Live 11 A sound collection that inhabits the space where growling basses, rinsing pads and jarring melodies collide with jagged, broken percussion. Play Beat Tools With more than Drum and Instrument Racks, over loops for slicing, tweakable effects chains and more, Beat Tools has all the sounds you need for hands-on beatmaking — especially with Push.
Play Brass Quartet New in Live 11 Features a rich blend of trumpet, French horn, tenor saxophone and trombone in your music.
Play Build and Drop Build and Drop is loaded with ecstatic leads, enveloping bass, slamming drums and a range of rises, sirens and sounds effects. Play Drive and Glow Updated for Live 11 Drive and Glow combines swirling synth textures, overdriven guitars and basses and pounding drums. Play Drone Lab New in Live 11 Weave complex, evolving threads through your productions with tonal and textural samples, generative noise, multisampled instruments, plus devices and Effect Racks designed for experimentation.
Play Drum Booth Updated for Live 11 Drum Booth contains carefully curated samples of acoustic kits recorded in a tight, dry room. Play Glitch and Wash This collection explores the contrast of organic texture and precise rhythms — combining precision slices, jagged electronic noise and microscopic snippets of sound with warm ambient pads, textures and soundscapes. Play Inspired by Nature New in Live 11 Six playful instruments and effects that use natural and physical processes as their inspiration.
Play Latin Percussion A collection of acoustic percussion instruments such as congas, timbales, claves, shakers, tambourines and bells from the worlds of Brazillian, Afro-Cuban and African music. Play Orchestral Brass A thorough set of vivid and colorful brass instruments. Play Orchestral Mallets The true essence of symphonic percussion instruments in pristine quality.
Play Orchestral Strings A comprehensive selection of naturally rich and dynamic stringed instruments. Play Orchestral Woodwinds Features a variety of clear and vibrant wind instruments. Play Probability Pack A collection of creative sequencers that introduce probability and chance to your music. Play Punch and Tilt A dancefloor-ready collection of sounds focused on machine rhythms, weighty bass and dark, hypnotizing melodies, textures and noises — a rough sonic aesthetic that started with a small group of underground producers and has grown into a worldwide scene.
Play Session Drums Club A multisampled library of acoustic drums for nuanced play. Head to Cycling Get all the features of Live 11 Suite free for 90 days.
Get the trial. Design your system. Create and customize Max for Live is a platform to build your own instruments and effects, tools for live performance and visuals, and much more.
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Upon using the command a third time, the Arrangement returns to the first vertical zoom state. You can use the left arrow key to navigate from an automation lane or take lane to the main track, this will fold the lanes as well.
You can also use the left arrow key to navigate from tracks in a group to the main Group Track. You can solo tracks with the S key and arm tracks with the C key when take lane headers or automation lane headers are selected. A Templates label see 5. A Grooves label see Chapter 13 has also been added. Devices in the Audio Effects label are now grouped into folders. When viewing and expanding Live Sets in the browser, you will see a new Devices icon for device chains on a track that contain at least one device.
In the first captured MIDI clip in an empty set with the transport stopped , if the detected loop is eight bars or less, the first played note is considered the start of the loop. When only one note is played in the first captured MIDI clip in an empty set with the transport stopped , the loop boundaries are set to the note start and end, and the tempo is accordingly calculated, resulting in a one, two, four, or eight bar loop.
This is particularly useful when playing a rhythmical sample with a single MIDI note. Clip View properties see 8. Clip View properties can also be arranged automatically, which switches between the horizontal and vertical views depending on the height of the Clip View area. The Reverse and Edit buttons are now positioned next to each other.
When multiple audio clips with different Clip Gain values are selected, the value range is shown with split triangle handles on the Clip Gain slider. Introduced comping see Chapter 18 in the Arrangement View. Comping makes it possible to pick the best moments of each recorded performance, and combine them into a composite track.
You can record multiple takes of a musical performance without stopping recording. Live will then create and organize individual takes from this recorded material, allowing you to piece your favorite parts together. You can also drag samples from your library and use comping as a creative sample-chopping tool. The CPU meter see Alternatively, the CPU meter can also be switched off entirely. By default, Live will not display the Current level; it must be enabled from the drop-down menu of the meter.
Hybrid Reverb see Spectral Time see