FCP Introduction to Final Cut Pro X (PDF) – Training – Apple.
Apple final cut pro x certification exam free download
materials and Apple Final Cut Pro X preparation products. download button, effects skills certification test your footage is not a great demand. several free downloadable videos from the publisher’s site. From Still to Motion Abba Shapiro Final Cut Pro X offers a whole new way to edit. Explore a range of helpful resources for Final Cut Pro, including third-party plug-ins, books, web tutorials, supported devices, and more.
Apple final cut pro x certification exam free download
Creativity that moves. The ultimate cinematic effect. Optimized for Apple silicon Final Cut Pro features breathtaking performance and efficiency on Mac computers with Apple silicon. Up to 18 streams of 8K ProRes 2.
Up to 56 streams of 4K ProRes 2. Up to 5. Up to 5 X faster 8K project render 4. The tools you need. From start to finishing. New Duplicate Detection Quickly display any audio or video that appears more than once in your project with highlighted clip ranges in the timeline. Motion and Compressor Create stunning effects and sweeping graphics with Motion, including studio-quality 2D and 3D titles you can open and adjust in Final Cut Pro.
Motion Learn more. Compressor Learn more. Advanced color grading. Every pixel closer to perfection. High Dynamic Range. Image simulates the effect of HDR. ProRes RAW. RAW flexibility Work with untouched image data directly from your camera sensor. Take your work further. In every direction. Closed captions. Open to all. Import Create Edit Deliver. Step up from iMovie to Final Cut Pro. Students should have the following prerequisite knowledge prior to attending the course:. Check the course schedule for a list of courses available for registration at Apple Authorized.
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All clips start with which rating assigned? What default filter setting prevents Rejected clip ranges from appearing in the Browser? In the Libraries pane, select the Library.
From the Filter pop-up menu, choose All Clips. Keyword combinations are searchable only by clicking the magnifying glass in the search field and using the Keywords criteria rule in the Filter HUD. Clips may be assigned a role at any time in the workflow.
However, roles assigned to clips shortly after import are carried with the clip throughout the editing workflow. Lesson 4 review questions After completing Lesson 4, you should be able to answer the following questions:. Which edit command is depicted in the image below? When in filmstrip view, which modifier key do you hold down to edit clips into the project in the order that you select the clips in the Browser? When performing an insert edit, what marks the Timeline location for the edit: the playhead or the skimmer?
In the images below, identify the edit functions indicated by the mouse pointer. To append edit a clip into a connected story, what must be selected and what must not be selected before pressing E? Using the image below for reference, describe what will occur during playback of this transition.
The skimmer, if active; otherwise, the playhead. With the Zoom slider, you can see more clip content horizontally, and with Clip Appearance, you can increase clip height and hide and view waveforms. Lesson 5 review questions After completing Lesson 5, you should be able to answer the following questions:. Which tool repositions storyline clips relative to time, allowing a clip to overwrite other clips? Where may you assign a role to a clip? What types of clips may go into an audition? Before After.
Skimming S : Enable or disable the video skimmer. Audio Skimming Shift-S : Enable or disable audio skimming skimming must be enabled. Solo Option-S : Monitor the audio playback of the selected clip s. Snapping N : Magnetically align the skimmer or playhead while dragging to the start of clips, keyframes, and markers. The playhead will move three seconds to the left.
This adjustment was performed by pressing Control-P. Commonly used for multiple takes of an on-camera performance or of an audio-only VO, the audition clip collects whatever clip types you add to the audition. Lesson 6 review questions After completing Lesson 6, you should be able to answer the following questions:. Which interface item allows you to trim the clip without changing the playback speed? Referring to the image in question 7, describe two ways to create the media handles necessary to apply a 1- second transition.
With this command, you can change the speed and duration of the clip without disturbing later clips. Second, the clip must be selected or the playhead cued over the clip to access the parameters in the Inspector pane.
Use the Slip trim tool and drag left on the starting clip. The use of either method depends on available media handles on the opposite point—the end of the starting clip and the end of the ending clip, respectively. You may drag the new transition to the existing transition similar to performing a replace edit. Or, with the existing transition selected, double-click the new transition in the Transition Browser.
Paste: applies the copied clip and its attributes, similar to a replace edit. Lesson 7 review questions After completing Lesson 7, you should be able to answer the following questions:. Your Timeline looks like the image below, and not all of the audio clips are audible. Which video scope measures brightness luma based on the grayscale of the entire image—Waveform or Vectorscope?
How do you remove the tint? The title is selected, the playhead cues to a frame where the text elements are visible, and the first line of text is automatically selected, ready for text entry.
In the Color Board, drag the Highlights puck toward positive yellow, or drag the Highlights puck down toward negative blue. Lesson 8 review questions After completing Lesson 8, you should be able to answer the following questions:. Which Share window button do you click to display the compatible platforms for the current export settings?
Which destination preset allows you to distribute to multiple platforms in a single share session? What export command outputs your project to a file format readable by several third-party applications?
Name two export methods that use Compressor custom settings. Lesson 9 review questions After completing Lesson 9, you should be able to answer the following questions:. How can you find the File Information section shown in the image below? When archiving or preparing a library for transport, describe a few tasks you should complete. Managed media files gives Final Cut Pro the responsibility of storing your source media files inside the library you designate.
Storing media externally saddles you with the responsibility of watching over the source media files. In either case, you determine where the media files are physically stored. Consolidate the library as a managed library, and delete render, optimized, and proxy media files.
Lesson 10 review questions After completing Lesson 10, you should be able to answer the following questions:. Which project Video Properties parameter must be selected to edit in a nonnative video resolution? What command creates a compound clip that syncs a video clip and an audio clip recorded on separate devices? In what vertical order should clips be placed for compositing? Advanced Motion Training Learn advanced motion graphics techniques including working with particle emitters, replicators and cameras, as well as how to rig and publish your compositions to Final Cut Pro.
Learn more about Advanced Motion Training. Mastering the Object Tracker Get the most out of the ability of Final Cut Pro to track titles, logos, effects and more — in a wide variety of tracking scenarios. Learn more about Mastering the Object Tracker. Animating with Behaviors in Motion Learn how to quickly create stunning motion graphics using the unique and powerful Behaviors in Motion.
Learn more about Animating with Behaviors in Motion. Pixel Film Studios David Austin leads you through over easy to understand tutorials for Final Cut Pro — allowing editors to master the program at their own pace.
Tech Talk America An interactive part course on video production made specifically for small businesses and non-profit organisations, presented by David A. Learn more about Tech Talk America. Learn advanced visual effects and compositing techniques from Simon Ubsdell using Motion. His conversational style, in-depth techniques and extensive resources help media pros find work, improve their skills and keep clients happy.
Learn tips and tricks designed for the beginning editor and experienced professional. Free high-quality and professional Motion 5 training from Stanislaw Robert Luberda. Learn the basics of animation using Behaviours and Keyframes, and go further with lessons covering rigging and publishing titles, effects and transitions in Final Cut Pro. David Austin leads you through over easy to understand tutorials for Final Cut Pro — allowing editors to master the program at their own pace.
An interactive part course on video production made specifically for small businesses and non-profit organisations, presented by David A. The Audio Roles White Paper explains how to use the power and flexibility of roles for editing, audio adjustments and mixing. It includes up to date information on third party hardware and software for storage, collaboration and review and approval.